Wow, pretty cool sharing. I really appreciate your painting. Though, I'm not good at art and paintwork as I’m working with Image post-production platform for the editing work. Anyways very good sharing; please keep sharing more. I’ll definitely visit your blog again. image post production
Each day I walk into my studio and some days my brush is a magic wand but sometimes it's a piece of lumber. The important part of that sentence, the take away thought, is "each day". All the best brushes, top notch paints, stacks of sketchbooks + good intentions = nothing until I walk through that door and do something to move myself forward. Surprisingly, sometimes I find going backwards is a way forward too. A case in point. I rework older paintings. You know, the ones that sit faced to the wall or on a shelf, even hanging in my own living room! Passing by it each day, all of the would have, could have, should haves nudge it back onto my easel. A #WIP, a work in progress, is filled with possibilities to learn, experiment and grow in my skills. I don't need to reinvent the wheel with each painting. A new idea is wonderful but if it's not working out that day I don't walk away. I look over my shoulder at that stack. Remember the past informs the present. ...
Sweet Solitude 12"Hx24"W, oil on canvas Blogs don't always seem to be the way to communicate these days, yet here I am and hopefully you are curious enough to have landed here. I do manage a reel or two on Instagram, a story here and there, but no, I don't seem to have the wherewithal to set up a vlog. I do, however, appreciate and learn from the ones I follow mainly on youtube! I've just been rereading some of my past blogs. I started writing in 2007, oh geez, that was 15 years ago! It seems part of my painting education has been self talk while painting in my studio. Do you do that too? Often it is accompanied by dance moves that are accented by cracking knees and misinterpreted lyrics. Joyful moments because I'm doing what I love. It seems every now and then I do more self talk than painting. When I reach that point it is a clear sign that it's time to write down these swirling nuggets of...
... there can be light. I say this as a mantra now when I paint. I have recently made a point of studying the work of the American tonalist painters, from the 1880's in particular, George Inness. After visiting and viewing his work on display at The Delaware Art Museum, I found that in returning to my studio, I had finally found that my painting soul felt at home. I had an immediate response to the subtle shifts of light and dark that was so very present yet not stark and abrupt. There were grays that united forms yet it was a slight change of tones within the color range that created the mystery. Paraphrasing and condensing information from: What is Tonalism(12 Essential characteristics) by David Adams Cleveland: Tonalism is a use of subtle color tones, atmosphere, and nature painted in an emotional way. Using a 19th century approach of lost and found edges to evoke a mysterious sense of place or mood. Landscape elements are presented in a way to affect th...
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